The Self Unstable, Paperback

Literary Nonfiction. Elisa Gabbert's THE SELF UNSTABLE combines elements of memoir, philosophy, and aphorism to explore and trouble our ideas of the self, memory, happiness, aesthetics, love, and sex. With a sense of humor and an ability to find glimmers of the absurd in the profound, she uses the lyric essay like a koan to provoke the reader's reflection--unsettling the role of truth and interrogating the I in both literary and daily life: The future isn't anywhere, so we can never get there. We can only disappear.

Gabbert strikes a perfect balance between heart and head, between cleverness and earnestness, between language that demonstrates its own fallibility and language that is surprisingly, perfectly precise.--Make Magazine

... smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of Lacanian devotion, as a mirror which doesn't so much distort as endlessly reveal, ' like the panopticon eye of a camera.--The Rumpus

... the dispassion about the self allows the writer to enact a number of equally lovely sleights of hand . . . Even while the author is drawn to image and reason, she is also in love with the vanishing point, where all perspective is ecstatically compressed into a single node.--Gently Read Literature

About author(s):Elisa Gabbert is the author of five collections of poetry, essays, and criticism: The Unreality of Memory & Other Essays, forthcoming in August 2020 from FSG Originals (available for preorder now) and Atlantic UK; The Word Pretty (Black Ocean, 2018); L'Heure Bleue, or the Judy Poems (Black Ocean, 2016); The Self Unstable (Black Ocean, 2013); and The French Exit (Birds LLC, 2010). The Word Pretty was a New York Times Editors' Pick, and The Self Unstable was chosen by the New Yorker as one of the best books of 2013. She writes a regular poetry column for the New York Times, and her work has appeared in Harper's, The New Yorker, the New York Times Magazine and Book Review, the New York Review of Books, the Guardian Long Read, the London Review of Books, A Public Space, the Paris Review Daily, American Poetry Review, and many other venues.